Elle

Well, full of twists and tangential story lines, which can be good. Boundaries were definitely pushed. However, in this film, conclusions and resolutions were reached without being earned. Story lines just jumped from problem to the problem being solved, which is lazy writing. The performances were good, but ultimately the film left me disappointed.

ugh, Huppert is a great actor but geez, the storyline is rather unbelievable, and the happy ending is rather absurd....

confusing morality in this story.... if it was in fact a story; though somewhat entertaining, it was painful to watch and unpleasant imagining what the writer and director were trying to say. I fear it was not healthy or even accurate.

Isabelle Huppert is amazing in a story that is provocatively contrived yet with a grain of truth at its base. What starts out like some Hollywood revenge fantasy veers into workplace drama, deranged family farce and of course, sexual transgression. Its got all the earmarks of classic Verhoeven: venal men, strong, if bare breasted women, perverse twists, taboo toppling. the director seems to take especial glee in humiliating just about every character in some way or another. Its ultimately a pitch black comedy, with Huppert doing her best Buster Keaton: she takes a licking and pops back up with a sort of aggressive impassivity. It revels in going to extremes, but like a Lynch, Almodovar or Cronenberg movie makes weird sense on its own terms. The story is riffing on the phenomenon of how some victims of trauma come to find comfort, even pleasure in ritualized violence, BDSM, in this case, rape play. Hupperts character is the daughter of a notorious mass murderer grown up to be the CEO of a company that makes hyper violent video games. She seeks to dominate all around her, with mixed success, when a sexual assault puts her on a path of self discovery and acceptance. Really. Less in line with the directors more tepidly risque Hollywood output, Elle hearkens back to the giddy perversity of the The 4th Man. Which makes it kind of a homecoming for Verhoeven, finally returning to making the kind of movies he was clearly put on this earth to do.

no doubt, isabelle huppert is always good at playing a soured woman, or an insubstantial woman, or an overexcitable woman. and this film gives her the opportunity to be all three at once, as a volatile and rather shallow software executive (made money in literature, bought the software company to tell stories) who is soured by her backstory, sleeping with her best friends lover, cruel to her mother and a very poor parent to her son. shes raped right at the beginning, so the plot is focused on unmasking the perpetrator, but all along i never really cared who it was. shes not a sympathetic character, her frigid and manipulative behavior is distasteful, and the whole thing reeks of the most foreign aspects of french esthetic and moral sensibilities. certainly not an oscar worthy performance.

If you arent into reading subtitles for a French movie, give this a miss. Very disappointing.

For the great acting and very good production. A very twisted story, but not too far from reality for some. I wanted to stop watching it at one point, but I could not. Have you own experience.

This is a decent movie although its provocative and not entirely believable when it comes to women, trauma, and sex. Isabelle Huppert is a strong female lead who has a casual attitude toward affairs and sexual fantasies, seemingly as a result of a traumatic event in childhood, but her character never really rings true. She plays the role well, though, and is appealingly enigmatic to the end. The different parts of the movie dont quite cohere: the perfunctory childhood tragedy feels forced into the script and Hupperts character is too unwaveringly blank and detached. That appealing laissez faire attitude that she has turns out to be disappointing in the end, which is way too predictable.

Isabelle Huppert is amazing in a story that is provocatively contrived yet with a grain of truth at its base. What starts out like some Hollywood revenge fantasy veers into workplace drama, deranged family farce and of course, sexual transgression. Its got all the earmarks of classic Verhoeven: venal men, strong, if bare breasted women, perverse twists, taboo toppling. the director seems to take especial glee in humiliating just about every character in some way or another. Its ultimately a pitch black comedy, with Huppert doing her best Buster Keaton: she takes a licking and pops back up with a sort of aggressive impassivity. It revels in going to extremes, but like a Lynch, Almodovar or Cronenberg movie makes weird sense on its own terms. The story is riffing on the phenomenon of how some victims of trauma come to find comfort, even pleasure in ritualized violence, BDSM, in this case, rape play. Hupperts character is the daughter of a notorious mass murderer grown up to be the CEO of a company that makes hyper violent video games. She seeks to dominate all around her, with mixed success, when a sexual assault puts her on a path of self discovery and acceptance. Really. Less in line with the directors more tepidly risque Hollywood output, Elle hearkens back to the giddy perversity of the The 4th Man. Which makes it kind of a homecoming for Verhoeven, finally returning to making the kind of movies he was clearly put on this earth to do.

Its a poor movie.