Elles (English Subtitled)

There is nothing really memorable about this movie, and the storyline is weak. Juliette Binoches acting was the most positive part of the movie.

great

Elles is a serious look at a specific aspect of modern day romantic life in the age of the internet and cellphones. Juliette Binoche stars as a writer for Elle magazine researching (she thinks) an article on young college-age women who offer their services to men in order to obtain the money they need to live as something better than a starving student. Binoches character starts out aloof and almost sneering, with the stereotypical attitude the general public has towards these women, but as she gets to know them better she gets drawn to them and into their world, letting down her journalists guard. What elevates Elles far above a mere fictionalized documentary movie is when Binoches character realizes that she is already part of this world. Aside from one scene in which a character gets assaulted (which is most likely a fantasy, although it is not entirely clear), there are no real victims or perpetrators in Elles. It is just what consenting adults do to satisfy their needs and survive the stresses of modern day life. The centerpiece of Elles by far is Juliette Binoches character, and she gives a star performance. Her character is not terribly attractive, and her face often shows the stresses of the life she leads as a busy working mom, but that is as it should be. She is most appealing when she lets her hair down by getting tipsy with one of her interview subjects, and that scene is a pure joy. The two college students, played by Anais Demoustier and Joanna Kulig, are near opposites in personality, body type and hair color, but each actress gives an intimately revealing portrayal. The men and boys in Elles have much more minor roles, but are well played. The casting and acting are spot-on, and speak to the care with which Elles was obviously made. If this film ever gets remade as an American film with American actors, I doubt it will be anywhere near as good. The only thing that prevents me from giving Elles five stars is that it tries to do a bit much in a short amount of time. There are many scenes and many significant events which rush forward to an ultimately satisfying conclusion. I feel the film could have benefited from a slightly more languorous pace, which would have allowed time to more fully explore everything that happens. Elles is highly recommended for adults who arent afraid to look behind the facade.

Could not get past the first 20 minutes. Not only was it uninteresting, but i was also not expecting subtitles. I watch foreign films quite often, but i have to be in the right mind set to read my movie and something has to keep my interest. Neither of these 2 factors were aligned on that day.

Some of the sequences in Malgorzata Szumowskas film are quite difficult to view - especially the scene where one of the student prostitutes (Anaïs Demoustier) willingly allows herself to be urinated on by one of her clients, or has a champagne bottle thrust into her vagina. These moments are designed to emphasize the pitfalls of the whores existence - even if both Charlotte and Alicja (Joanna Kulig) manage to make sufficient funds to support themselves in some style during their student lives. Nonetheless Szumowksa reminds us that we should not judge their decision too harshly. By contrasting their lives with that of well-to-do journalist Anna (Juliette Binoche), who is writing an article for ELLE magazine about their lives, the director suggests that in many ways the prostitutes live a superior existence. They enjoy an independence that is denied to someone like Anna, who has to spend most of her leisure time caring for a feckless husband (Louis-Do de Lencquesaing) and her three children. ELLES is full of scenes where Anna is shown working alone in the kitchen, or talking on the phone to a disembodied voice. As the film closes, she is shown silently listening at a dinner party while Patrick and his friends prattle on about various subjects; in the end she grows so frustrated that she simply walks out of the house for a breath of welcome fresh air. In contrast both Charlotte and Alicja enjoy a considerable degree of independence; they exert power over their (mostly middle-aged) clients, to the extent that they can determine in advance what they will do and what they will not do. The money they earn gives them the spending power to please themselves. As the film progresses, so we see Anna becoming more and more enamored of the girls lives. She is shown talking in the park to Charlotte; the two of them become quite close to one another, as denoted through a series of two-shots. While alone with Alicja in Alicijas apartment, Anna partakes of vodka (although claiming that she does not drink), and ends up on a passionate embrace with the younger woman. While alone in her own apartment, Anna pleasures herself in an extended scene, where Szumowskas camera focuses on her face as she gradually comes to orgasm. Sex gives her the kind of power that she can never enjoy either at work or during her family life. In the end, however, that power proves illusory. The film ends with an extended shot of Anna sitting down to breakfast with her husband and two of her children - an image of familial normality that suggests mental as well as physical imprisonment. Although empathizing with the two girls, she can never enjoy their independence. ELLES is a thought-provoking piece, shot in deliberately low-key style. Director Szumowska achieves some striking thematic effects, most notably through the use of music that often contrasts with the emotions of the characters shown on screen. At one moment Anna is shown walking morosely about her living-room; on the soundtrack we hear the second movement of Beethovens Seventh Symphony - a homage to death. The grandeur of the music is set against the mundaneness of Annas life; she would love to improve it, if only she could.

Juliette B is a gem of an actress. It is exciting to wtach her.

Lame

Quite compelling story with another breattaking interpretation by Juliette Binochet!

This movie presents the lives of some students that struggle to have the life they want in the middle of a wealthy society. They are presented with the options of a hard life doing waitressing or boring jobs getting a pay that does not allow them to build their life, or to render their services to men that are willing to reward them in more ways than money can do. This is a hard thing to present in front of our hard coded values. It is the difference between being exposed to landlords that want to abuse them for no pay, to live in unsafe neighbourhoods or to explore other avenues. All of this for a woman (Juliette Binoche) that feels neglected by her husband, overwhelmed by her housewife duties and at the same time producing an article for a magazine the famous Elle magazine about students that become call girls. Confronting this reality and her own boredom, frustration and sadness makes her reevaluate her life and her options. The end shows something that maybe is not what we want but many times it becomes what it is. The movie is very well acted and directed and addresses these very difficult topics in a caring way. I may disturb some people as some views may show a reality that some may not want to see.

This film is pointless, pornographic, and also boring. It is surprising that such an elegant and accomplished actress as Binoche would allow herself to be viewed so unflatteringly. What a waste of her talents!