Brighton Rock [DVD] [1947]

I had to watch this after reading Lynn Truss’s vastly entertaining novel, “A Shot in the Dark,” which refers to this movie and the book upon which it is based. I’m not usually a fan of movies about punk gangs, but I did enjoy this, especially the performance of Hermione Baddeley playing the sort of female character never allowed in American movies. She’s middle-aged, loud, determined and smart as can be. She’s a force to be reckoned with. Carol Marsh is also good as the naïve and trusting Rose, the opposite of Baddeley’s character. Richard Attenborough shifts his eyes, half closes them and opens them widely, which passes for great acting among some people.

Fans of what is now called film noir should definitely check out this adaptation of an early Graham Greene novel. Greene really had a knack for establishing atmosphere while advancing the plot. (Example: an annoying singer in a pub - not even on camera at first - quickly becomes a major character.) Great location photography is well matched by studio sets to show an genuinely squalid environment. Young Richard Attenborough is convincing as a teen-age sociopath.

Richard Attenborough is sensational as a psychotic gangster. Bright Rocks still rocks after almost 70 years.

Excellent example of the noire genre. Close to the original book, although the book captures much more of each characters inner conflict. Still, this abbreviated film form is more accessible for those too busy or lazy to read the book.

Great Black and White with riveting suspense.

Brighton Rock, (1947) is a classic 92-minute black and white film noir adaptation of outstanding British author Graham Greenes classic, early career, downbeat novel of the same name,

No worth buying.

Complex, disturbing noir character study/thriller about a 17 year old baby-faced gang leader named `Pinky, played by the director-to-be Richard Attenborough in an astonishing performance. Based on a Graham Greene novel, and co-written by Green and Terrence Rattigan (The Browning Version, The Winslow Boy), Pinky is a tremendously complex character, a sociopath to be sure, but one with a heart still beating somewhere deep down inside. Tortured by his Catholic upbringing, and repressed sexually, he vents his teen angst in violence that becomes increasingly uncontrollable, while finding his heart touched in spite of himself by a girl he marries ostensibly just to keep her from giving evidence against him. This is a tough picture, no Hollywood softened edges here. And arguably one of the better gangster films ever made.

A brilliant noir film, far superior to the 2010 remake, although it softened elements from the even better novel.